Cinématisse. Copte by his own admission

by his own admission

more coherent and more complex than has often been claimed

Work published on the occasion of an exhibition at the Palazzo Grassi in Venice in 1988

it is the quintessential expression of French classicism

Christian Dotremont a fondé le Surréalisme révolutionnaire de Belgique en 1947 et

Cinématisse. Copte by his own admissionA regular spectator, a true lover of film clubs and popular cinemas, the cinephile Henri Matisse was passionate about the most original and distant works of his time, from Jean Renoir to Robert Flaherty, from Ren Clair to FW Murnau, from scientific films to Tarzan If Matisse legitimately approached cinema as entertainment, his work received a decisive influence. In return, modern cinema showed him gratitude, particularly the French New Wave (Jacques