Une Histoire contrariée. Le musée de photographie en France (1839-1945). Peinture nageuse piégée des Dents de

nageuse piégée des Dents de la mer

Saint-Bertrand-de Comminges 5/2000

a symbol of nobility and an object of desire

in the name of the principle that man cannot submit to his natural environment but must dominate it

Ce catalogue raisonné consacre une grande partie à la biographie des artistes

Une Histoire contrariée. Le musée de photographie en France (1839-1945). Peinture nageuse piégée des Dents deFrom the disclosure of the process in 1839 until the end of the Second World War, many amateurs and professionals campaigned for the creation of a photography museum. There is evidence of multiple projects of varying scale which, although they were not successful, were the places where the hopes quickly associated with photography crystallized. The hitherto little known history of these various projects is pervaded by a fundamental hesitation, linked