Côté jardin. De Monet à Bonnard. Architecture – paysage which owes as much to

which owes as much to his character as to the personal and historical events in which he was involved

close to Impressionism

Champollion the Egyptian

L'exposition se penchera sur le rôle du jeu dans la vie privée et publique

The scientific approach serves a purpose leading to the establishment of technical traditions that are followed through different spaces and chronologies

Côté jardin. De Monet à Bonnard. Architecture – paysage which owes as much toThroughout the pages, we admire the illustrations of the garden by Claude Monet, Gustave Caillebotte, Auguste Renoir, Camille Pissarro, Pierre Bonnard and Edouard Vuillard. The catalogue follows the exhibition's progression, using a thematic and chronological approach from the 1860s to the 1940s: around a hundred paintings, photographs, drawings and prints explore the Impressionists' search for nature in the city, as they invited themselves into the