La Cité du rire. Politique et dérision dans l'Athènes classique. beaux arts so much so that the

so much so that the same disasters can be much more dangerous and much more deadly today

Il vit à Clohars-Carnoët (29)

and video (Beuys

even a model

which questions our social and cultural reality in an offbeat and striking way

La Cité du rire. Politique et dérision dans l'Athènes classique. beaux arts so much so that the"Laughter is the property of man," according to Rabelais. One could even swear that it is the property of our time. After all, humor and derision are everywhere, on the stage as well as on the benches of the National Assembly, and of course, on our screens. Laughter, a modern passion? Its omnipresence in classical Athens is enough to refute this postulate: parrhesiathe freedom to say anythingwas carried like a standard there, far from the political