Le luxe en Gaule. Celtique the belief in the survival

the belief in the survival of the soul always resisted the temptation of doubt

The selection of works on paper reveals a certain freedom of gesture

selected by Mondrian himself around 1920 for his greatest collector

Proceedings of the Seminar of National Antiquities and European Protohistory of Aix-en-Provence

"After several hours spent in the studio

Le luxe en Gaule. Celtique the belief in the survivalPrecious tableware, gold jewelry and engraved stones, residential decor, sought after wines and gastronomic products, monumental city finery, and luxurious tomb furnishingsall these manifestations of luxury are characterized by expensive, rare materials, crafted by talented artisans. Their possession is ostentatious and superfluous. However, the threshold at which an artifact enters the category of luxury is not always clear: it changes according to