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Until the day he decided to leave everything behind
Bernard Plossu
In the gallery of portraits brought together in Plutarch's Parallel Lives
Pour faire taire les idées reçues
brandissant fièrement leurs étendards
L'apostrophe muette, essai sur les portraits du Fayoum. Moyen-âge Until the day he decidedThe Fayum portraits are this silent population embodied by faces that excavations have gradually brought out of the tombs. Produced in Roman Egypt in the first three centuries AD, and belonging to both a Greek mimetic tradition and a specifically Egyptian ritual accompaniment, they were not intended to be seen. But since they were found and identified, they have never ceased to fascinate. Scattered across the world, their enigma remains intact, we are
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