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Description
myth is a deceptive envelope whose secret must be pierced and the idea extracted from the image
such as the statues of Bearded Men or the astonishing collection of animal mummies that have acquired worldwide renown
from Venetian luminism in the 16th century to the almost monochrome applications of "color-field painting" in American abstraction in the 1950s or the kineticism of op art in the 1960s
Conclusion
Studia Pohl Collection No
Chefs-d'oeuvre perdus et retrouvés. Photographie myth is a deceptive envelopePoussin Society. Third notebook. May 1950.
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